Introduction :

This program resulting from a reflexion of several years on the realization of the speakers is a simplified summation of my "discoveries".

In my tender sixteen years I carried out my first "limps" after the reading of an old number of "the review of the sound" (not yet the news) treating of a speaker that no manufacturer would like to carry out because too much simple...

Tried, I was going to discover what the word High fidelity wants to really say. Connecting my limps single on a Teppaz old man (and Yes, yes, I have known as high fidelity) I made turn a wafer of 33 turns of Pink Floyd (More) and I heard in the medium of the music a flight of birds coming by far behind the enclosure to pass to the top of my head then from to go away to far behind me, it was so realistic which I initially believed that it was outside then I passed by again the track of the disc and again the birds seemed to fly in a sky that the ceiling of my room could not contain.

Sound realism here is my search during all these years. How to understand that with a Teppaz old man and some wood boards the emotion was with return when with material much more expensive, "no" emotion comes to you in various comparative listenings that consequently you carry out, that the image for flattering which it draws being does not correspond to nothing in nature but I want to reproduce not to create nor flatter.

It was necessary to set out again behind, to relearn what others certainly had discovered and hidden, to make the training of official and especially the nonofficial one, of what is not explained but which goes, to make as these generations of violin maker which manufacture violins without science explaining to them why if they change a iota the manner of conceiving says it violin, this one "does not sound more".